Creating a Solid Foundation for Your Writing – Virtual Writing Classes

In reading Henry Jameses, The Turn of the Screw, all the writers in the Studio bandied about this term: The Canon. From ThoughtCo, I found this definition: “In fiction and literature, the canon is the collection of works considered representative of a period or genre. The collected works of William Shakespeare for instance, would be part of the canon of western literature, since his writing and writing style has had a significant impact on nearly all aspects of that genre.”

There is more to read on that site (and many, many others), about this idea of the canon. Read on and learn.

Our Virtual Writing Classes use a plethora of novels like these to break down writing techniques
My Canon+

For me, as I’ve said in class, I have a personal canon which is a collection of a hundred books (give or take) that I feel stand as a solid foundation for my writing. This list assuredly included highly influential writers like Hemingway, Steinbeck, Faulkner, McCarthy, Tolstoy, Shakespeare, Dickens, Fitzgerald, blah, blah, all-white-men, blah, blah, but I also wanted to include writers I hadn’t read for whatever reason and felt like I should read: Austin, the Brontes, Tolstoy, Solzhenitsyn, Alexie, Morrison, Walker. I included YA books: I’ll Give you the Sun by Jandy Nelson and The Secret Garden by Frances Burnett. I combed through the NYT Bestseller 100 Best Lists and plucked a few off. Same with the Pulitzer list. Then the National Book Award lists. The Man Booker Prize list. I went through Jane Smiley’s list in her Thirteen Ways of Looking at the Novel. And I got going. I set a goal to read a book a week for three years running and cut myself some slack if a book was particularly difficult. Both War and Peace and Anna Karenina were slow going and I’d be lying if I said I finished these. The Bible was on my list, but I ended up listening to it on audio. That was quite interesting. In fact, I listened to a lot of the books because, like you, I’m busy. I read on line, I read while walking the dog, I read in the tub, I read for an hour+ each night before bed. I carried a book in my purse, and had another on a CD for when I was driving. And, I fould that I fell madly in love with some authors. When that happened, I paused in my reading and read everything they wrote. This happened with Cormac McCarthy, Elena Ferrante, Jess Walters, Elizabeth Strout, Colm Toibin and Anthony Doerr. I rediscovered my love of John Irving too, and read, and re-read A Prayer for Owen Meany about ten times, same with Cider House Rules.

Here’s what I suggest to anyone asking about the canon: If you are going to write a memoir, make a third of your list memoir and biography, then fill in with the fiction you’ve always wanted to read.

If you want to write short stories, read writers who do both long and short form, read a lot about short stories, and fill in with longer form fiction.

If you want to do essay, read Philip Lopate, The Art of the Personal Essay. He’s a must. Read Michel de Montaigne, who laid most of the groundwork for today’s understanding of the form. Read about essay in Tell it Slant by Brenda Miller. And do the same as I’ve suggested above. Read a lot of essay work but also fill in with the wider canon.

If you are going to be a novelist, make a list as I did above or come up with your own variation.

 

The bottom line: Create a canon that gives you a solid base, set your goal for a year, two, three or five or whatever, and begin. Like writing, reading requires the investment of your time. Set a goal and go. It seems daunting, but so does running a marathon, or writing a book. One step at a time for running, one page at a time for reading. Just get going. (Am I making my point here? If not, let me say it again: Get going).

My canon is below. Let us know what books you are adding to your list. Post in a comment. The way we get started is with community.

NOVELS

  • The Diary of a True Indian by Sherman Alexie
  • A God in Ruins by Kate Atkinson
  • Life After Life
  • Transcription
  • The Handmaids Tale by Margaret Atwood *
  • Sense and Sensibility by Jane Austin
  • Pride and Prejudice
  • Inzaneville by JoAnn Beard
  • Jane Eyre by Charlotte Bronte
  • Countryman of Bones by Robert Butler
  • The Secret Garden by Frances Burnett
  • Alice in Wonderland by Lewis Carroll
  • Girl with the Pearl Earring by Tracy Chevalier
  • Did you Ever Have a Family by Bill Clegg ***
  • Waiting for the Barbarians by J.M. Coetzee
  • Foe
  • South of Broad by Pat Conroy ***
  • Breath, Eyes, Memory by Edwidge Danticat
  • The Red Tent by Anita Diamant
  • Great Expectations by Charles Dickens
  • The Language of Flowers by Vanessa Diffenbaugh
  • All the Light You Cannot See Anthony Doerr ***
  • The Shell Collector
  • About Grace
  • Out of Africa Isak Denison
  • The Miraculous Journey of Edward Tulane by Kate DeCamillo ***
  • A Visit from the Goon Squad by Jennifer Egan ***
  • Look at Me
  • As I Lay Dying Faulkner
  • Those Who Leave and Those Who Stay Elena Ferrante
  • Troubling Love
  • The Story of a New Name
  • My Brilliant Friend
  • The Days of Abandonment
  • The Lost Daughter
  • The Story of the Lost Child
  • Cold Mountain Charles Frazier
  • Ordinary People by Judith Guest ***
  • The Ten Thousand Doors of January by Alex Harrow ***/*
  • Stones from the River by Ursula Hegi
  • Floating in my Mothers Palm
  • The End of the Affair by Graham Green ***
  • The Tenth Man “
  • Snow Falling on Cedars by David Guterson
  • Fates and Furies by Lauren Groff ***
  • Too Bright to Hear Too Loud to See by Julian Garrey ***
  • The Tinkers by Paul Hardy
  • Eventide by Kent Haruf
  • Plainsong ” ***
  • The Old Man and the Sea E. Hemingway
  • The Dove Keepers Alice Hoffman
  • Eleanore Oliphant is Completely Fine by Gail Honeyman ***
  • The Residue Years by Mitchell Jackson *
  • Portrait of a Lady by Henry James *
  • The Turn of the Screw ” ***
  • The Fifth Season by NK Jameson ***
  • The Stone Sky
  • The Most Dangerous Place on Earth by Lindsey Lee Johnson **
  • An American Marriage by Tayari Jones
  • The Secret Language of Bees by Sue Monk Kidd
  • The Invention of Wings
  • Prodigal Summer by Barbara Kingsolver
  • The Nest by Jon Klassen ***
  • The Dinner by Herman Koch ***
  • Ordinary Grace by William Kent Kruger
  • A Prayer for Owen Meany by John Irving ***
  • The World According to Garp
  • The Cider House Rules “ ***
  • Setting Free the Bears “ *
  • The Water Method Man “ *
  • The 158-Pound Marriage” *
  • The Lion, the Witch, and the Wardrobe by CS Lewis ***
  • The Girl with the Dragon Tattoo by Stieg Larson
  • A Gesture Life by Chang-rae Lee *
  • The Railway Man by Eric Lomax
  • Life of Pi by Yann Martel
  • One Hundred Years of Solitude by Gabriel Garcia Marquez *
  • The Border Trilogy by Cormac McCarthy
  • The Orchard Keeper “
  • Suttree “
  • The Orchard Keeper “
  • Child of God “
  • The Road
  • Beloved by Tony Morrison
  • The Bluest Eye ” ***
  • The Ninth Hour by Alice McDermott
  • In the Giants House Elizabeth McCracken
  • I’ll Give you the Sun by Jandy Nelson ***
  • Little Fires Everywhere by Celeste Ng
  • Everything I Never Told You
  • The Bird Artist by Howard Norman
  • There There by Tommy Orange *
  • The Things They Carried by Tim O’Brien *
  • Dept of Speculation by Jenny Ofill
  • A Tale for the Time Being by Ruth Ozeki
  • Where the Crawdads Sing by Delia Owen ***
  • Shipping News Annie Proulx ***
  • Accordion Crimes ” *
  • East of Eden by John Steinbeck
  • Of Mice and Men ” ***
  • Uncle Tom’s Cabin by Harriet Beecher Stowe
  • Olive Kitteridge by Elizabeth Strout ***
  • Abide with Me
  • The Burgess Boys
  • Amy and Isabelle
  • Anything is Possible
  • Lizzie Burton
  • Nora Webster by Colm Toibin ***
  • Brooklyn
  • Anna Karinina by Leo Tolstoy
  • War and Peace
  • A Gentleman in Moscow by Amor Towles***
  • The Goldfinch by Donna Tart *
  • The Color Purple by Alice Walker
  • Beautiful Ruins by Jess Walters
  • The Zero
  • Citizen Vince
  • The Financial Lives of the Poets ” ***
  • The Book Thief by Mark Zusak
  • The Underground Railroad by Colson Whitehead ***
  • The Nickel Boys ” ***
  • Lonesome Dove by Larry McMurtry
  • Tale of Two Cities by Charles Dickens

MEMOIRS

  • You Don’t Have to Say You Love Me by Sherman Alexie
  • This isn’t the Ivy League by Mary Blew
  • Truth Serum by Bernard Cooper
  • A Bill From My Father
  • Love and Trouble by Claire Dederer
  • Slouching Toward Bethlehem by Joan Didion
  • The Only Girl in the Car by Kathy Dobie
  • Four Seasons in Rome by Anthony Doerr ***
  • Firebird by Mark Doty
  • Dog Years
  • Life Saving for Beginners by Anne Edelstein
  • Another Bullshit Night in Suck City by Nick Flynn
  • The Territory of Men by Joelle Fraser
  • Live Through This by Debra Gwartney
  • Journey to the Land of No by Roya Hakakian
  • Cowboy and Wills by Monica Holloway
  • Driving with Dead People
  • How We Fight for our Lives by Saeed Jones ***
  • Girl Interrupted by Suzanna Kaysen
  • When Breath Becomes Air by Paul Kalanith
  • The Liars Club by Mary Karr
  • The Narrow Door by Paul Lisicky
  • H is for Hawk by Helen Macdonald
  • An Exact Replica of a Figment of my Imagination by Elizabeth McCracken
  • Know My Name by Channel Miller ***
  • I Hate to Leave this Beautiful Place by Howard Norman
  • Becoming by Michelle Obama
  • Crazy for Storm by Norman Olestad ***
  • Persepolis by Marjane Satrapi
  • The Sound of Gravel by Ruth Wariner **
  • Educated by Tara Westover ***
  • This Boys Life by Tobais Wolff
  • The Road Washes Out in Spring by Baron Wormser
  • The Glass Castle by Jeanette Walls *
  • The Chronology of Water by L. Yuknavitch *

COLLECTIONS

  • Stone Mattress by Margaret Atwood
  • Exhalation by Ted Chiang
  • Interpreter of Maladies by Jhumpa Lahiri
  • The Middle of the Fields by Mary Lavin
  • Color Range by Annie Proulx
  • Thunderstruck by Elizabeth McCracken
  • Birds of America by Laurie Moore
  • Tenth of December by George Saunders
  • The Old Forest and Other Stories by Peter Taylor
  • Night Lights by Phyllis Theroux
  • We Live in Water by Jess Walters
  • The Best American Short Stories 2019 edited by Anthony Doerr

* On shelf/started/put back unfinished

** Student book

*** Studio read/taught

Lit Lessons are posts pulled directly from the on-going teachings at The Blackbird Studio. For students, they are a reinforcement of the weekly classes. For those popping in to check us out, they are a taste of our depth studies. Comments welcome and appreciated. If you are a student who would like to publish something about your experience at the Studio, or a lesson you’ve learned, please read these guidelines