Nurturing Your Creative Voice Through Intentional Reading – Virtual Writing Classes

Redefining the Canon for Your Needs

From ThoughtCo: “In fiction and literature, the canon is the collection of works considered representative of a period or genre. The collected works of William Shakespeare for instance, would be part of the canon of western literature, since his writing and writing style has had a significant impact on nearly all aspects of that genre.”

Our Virtual Writing Classes use a plethora of novels like these to break down writing techniques

I have a personal canon which is a collection of a hundred books (give or take) that I feel stand as a solid foundation for my writing. This list includes influential writers like Hemingway, Steinbeck, Faulkner, McCarthy, Tolstoy, Shakespeare, Dickens, Fitzgerald, but I also included writers I wanted to read: Austin, the Brontes, Tolstoy, Solzhenitsyn, Alexie, Morrison, Walker. I included YA books: I’ll Give you the Sun by Jandy Nelson and The Secret Garden by Frances Burnett.

A Methodical Approach to Selection

I combed through the NYT Bestseller 100 Best Lists and plucked a few off. Same with the Pulitzer list. Then the National Book Award lists. The Man Booker Prize list. I went through Jane Smiley’s list in her Thirteen Ways of Looking at the Novel. And I got going.

Then, I set a goal to read a book a week for three years running and cut myself some slack if a book was particularly difficult. Both War and Peace and Anna Karenina were slow going and I’d be lying if I said I finished these at first, but I did over time. How? I read while walking the dog, I read in the tub, I read for an hour+ each night before bed. I carried a book in my purse, and had another on a CD for when I was driving. 

When I fell madly in love with some authors, I paused in my mail reading and read everything they wrote. This happened with Cormac McCarthy, Elena Ferrante, Jess Walters, Elizabeth Strout, Colm Toibin and Anthony Doerr. I rediscovered my love of John Irving too, and read, and re-read A Prayer for Owen Meany about ten times, same with Cider House Rules.

Tailoring Your Canon to Your Writing Goals:

  • For memoirists: Make a third of your list memoirs and biographies, supplemented with fiction you’ve always wanted to read.
  • For short story writers: Focus on authors who excel in both short and long forms, read craft books about short stories, and balance with longer fiction.
  • For essayists: Start with foundational works by Philip Lopate and Michel de Montaigne, add craft books like Brenda Miller’s “Tell it Slant,” and expand to wider reading.
  • For novelists: Create a comprehensive list drawing from established canons and personal interests.

Create a canon that gives you a solid base, set your goal for a year, two, three or five or whatever, and begin. Like writing, reading requires the investment of your time. Set a goal and go. It seems daunting, but so does running a marathon, or writing a book. One step at a time for running, one page at a time for reading. Just get going. (Am I making my point here? If not, let me say it again: Get going).

One Page at a Time

Creating a personal canon requires commitment and consistency, much like writing itself or training for a marathon. Set a goal and begin. One page at a time. Just get going.

What makes this approach particularly effective is its emphasis on community. By sharing our reading journeys and discoveries, we not only motivate ourselves but create a richer collective understanding. So what books will you add to your personal canon? The literary conversation awaits your voice.

NOVELS

  • The Diary of a True Indian by Sherman Alexie
  • A God in Ruins by Kate Atkinson
  • Life After Life
  • Transcription
  • The Handmaids Tale by Margaret Atwood *
  • Sense and Sensibility by Jane Austin
  • Pride and Prejudice
  • Inzaneville by JoAnn Beard
  • Jane Eyre by Charlotte Bronte
  • Countryman of Bones by Robert Butler
  • The Secret Garden by Frances Burnett
  • Alice in Wonderland by Lewis Carroll
  • Girl with the Pearl Earring by Tracy Chevalier
  • Did you Ever Have a Family by Bill Clegg ***
  • Waiting for the Barbarians by J.M. Coetzee
  • Foe
  • South of Broad by Pat Conroy ***
  • Breath, Eyes, Memory by Edwidge Danticat
  • The Red Tent by Anita Diamant
  • Great Expectations by Charles Dickens
  • The Language of Flowers by Vanessa Diffenbaugh
  • All the Light You Cannot See Anthony Doerr ***
  • The Shell Collector
  • About Grace
  • Out of Africa Isak Denison
  • The Miraculous Journey of Edward Tulane by Kate DeCamillo ***
  • A Visit from the Goon Squad by Jennifer Egan ***
  • Look at Me
  • As I Lay Dying Faulkner
  • Those Who Leave and Those Who Stay Elena Ferrante
  • Troubling Love
  • The Story of a New Name
  • My Brilliant Friend
  • The Days of Abandonment
  • The Lost Daughter
  • The Story of the Lost Child
  • Cold Mountain Charles Frazier
  • Ordinary People by Judith Guest ***
  • The Ten Thousand Doors of January by Alex Harrow ***/*
  • Stones from the River by Ursula Hegi
  • Floating in my Mothers Palm
  • The End of the Affair by Graham Green ***
  • The Tenth Man “
  • Snow Falling on Cedars by David Guterson
  • Fates and Furies by Lauren Groff ***
  • Too Bright to Hear Too Loud to See by Julian Garrey ***
  • The Tinkers by Paul Hardy
  • Eventide by Kent Haruf
  • Plainsong ” ***
  • The Old Man and the Sea E. Hemingway
  • The Dove Keepers Alice Hoffman
  • Eleanore Oliphant is Completely Fine by Gail Honeyman ***
  • The Residue Years by Mitchell Jackson *
  • Portrait of a Lady by Henry James *
  • The Turn of the Screw ” ***
  • The Fifth Season by NK Jameson ***
  • The Stone Sky
  • The Most Dangerous Place on Earth by Lindsey Lee Johnson **
  • An American Marriage by Tayari Jones
  • The Secret Language of Bees by Sue Monk Kidd
  • The Invention of Wings
  • Prodigal Summer by Barbara Kingsolver
  • The Nest by Jon Klassen ***
  • The Dinner by Herman Koch ***
  • Ordinary Grace by William Kent Kruger
  • A Prayer for Owen Meany by John Irving ***
  • The World According to Garp
  • The Cider House Rules “ ***
  • Setting Free the Bears “ *
  • The Water Method Man “ *
  • The 158-Pound Marriage” *
  • The Lion, the Witch, and the Wardrobe by CS Lewis ***
  • The Girl with the Dragon Tattoo by Stieg Larson
  • A Gesture Life by Chang-rae Lee *
  • The Railway Man by Eric Lomax
  • Life of Pi by Yann Martel
  • One Hundred Years of Solitude by Gabriel Garcia Marquez *
  • The Border Trilogy by Cormac McCarthy
  • The Orchard Keeper “
  • Suttree “
  • The Orchard Keeper “
  • Child of God “
  • The Road
  • Beloved by Tony Morrison
  • The Bluest Eye ” ***
  • The Ninth Hour by Alice McDermott
  • In the Giants House Elizabeth McCracken
  • I’ll Give you the Sun by Jandy Nelson ***
  • Little Fires Everywhere by Celeste Ng
  • Everything I Never Told You
  • The Bird Artist by Howard Norman
  • There There by Tommy Orange *
  • The Things They Carried by Tim O’Brien *
  • Dept of Speculation by Jenny Ofill
  • A Tale for the Time Being by Ruth Ozeki
  • Where the Crawdads Sing by Delia Owen ***
  • Shipping News Annie Proulx ***
  • Accordion Crimes ” *
  • East of Eden by John Steinbeck
  • Of Mice and Men ” ***
  • Uncle Tom’s Cabin by Harriet Beecher Stowe
  • Olive Kitteridge by Elizabeth Strout ***
  • Abide with Me
  • The Burgess Boys
  • Amy and Isabelle
  • Anything is Possible
  • Lizzie Burton
  • Nora Webster by Colm Toibin ***
  • Brooklyn
  • Anna Karinina by Leo Tolstoy
  • War and Peace
  • A Gentleman in Moscow by Amor Towles***
  • The Goldfinch by Donna Tart *
  • The Color Purple by Alice Walker
  • Beautiful Ruins by Jess Walters
  • The Zero
  • Citizen Vince
  • The Financial Lives of the Poets ” ***
  • The Book Thief by Mark Zusak
  • The Underground Railroad by Colson Whitehead ***
  • The Nickel Boys ” ***
  • Lonesome Dove by Larry McMurtry
  • Tale of Two Cities by Charles Dickens

MEMOIRS

  • You Don’t Have to Say You Love Me by Sherman Alexie
  • This isn’t the Ivy League by Mary Blew
  • Truth Serum by Bernard Cooper
  • A Bill From My Father
  • Love and Trouble by Claire Dederer
  • Slouching Toward Bethlehem by Joan Didion
  • The Only Girl in the Car by Kathy Dobie
  • Four Seasons in Rome by Anthony Doerr ***
  • Firebird by Mark Doty
  • Dog Years
  • Life Saving for Beginners by Anne Edelstein
  • Another Bullshit Night in Suck City by Nick Flynn
  • The Territory of Men by Joelle Fraser
  • Live Through This by Debra Gwartney
  • Journey to the Land of No by Roya Hakakian
  • Cowboy and Wills by Monica Holloway
  • Driving with Dead People
  • How We Fight for our Lives by Saeed Jones ***
  • Girl Interrupted by Suzanna Kaysen
  • When Breath Becomes Air by Paul Kalanith
  • The Liars Club by Mary Karr
  • The Narrow Door by Paul Lisicky
  • H is for Hawk by Helen Macdonald
  • An Exact Replica of a Figment of my Imagination by Elizabeth McCracken
  • Know My Name by Channel Miller ***
  • I Hate to Leave this Beautiful Place by Howard Norman
  • Becoming by Michelle Obama
  • Crazy for Storm by Norman Olestad ***
  • Persepolis by Marjane Satrapi
  • The Sound of Gravel by Ruth Wariner **
  • Educated by Tara Westover ***
  • This Boys Life by Tobais Wolff
  • The Road Washes Out in Spring by Baron Wormser
  • The Glass Castle by Jeanette Walls *
  • The Chronology of Water by L. Yuknavitch *

COLLECTIONS

  • Stone Mattress by Margaret Atwood
  • Exhalation by Ted Chiang
  • Interpreter of Maladies by Jhumpa Lahiri
  • The Middle of the Fields by Mary Lavin
  • Color Range by Annie Proulx
  • Thunderstruck by Elizabeth McCracken
  • Birds of America by Laurie Moore
  • Tenth of December by George Saunders
  • The Old Forest and Other Stories by Peter Taylor
  • Night Lights by Phyllis Theroux
  • We Live in Water by Jess Walters
  • The Best American Short Stories 2019 edited by Anthony Doerr

* On shelf/started/put back unfinished

** Student book

*** Studio read/taught

Lit Lessons are posts pulled directly from the on-going teachings at The Blackbird Studio. For students, they are a reinforcement of the weekly classes. For those popping in to check us out, they are a taste of our depth studies. Comments welcome and appreciated. If you are a student who would like to publish something about your experience at the Studio, or a lesson you’ve learned, please read these guidelines