Carney imagined beyond the façade; he was looking for something inside. Inside the brown stones have remained one family homes, or been cut up in individual apartments, and the rooms were marked by different choices in terms of furniture, paint, color, and what have been thrown on the walls, function. Then there were the invisible marks left by the lives within, those durable hauntings. ~ Harlem Shuffle
🎧Listen to the audio teaching here
Handout link
A Study in Transforming the Mundane into the Meaningful
This is part two of our teaching on Harlem Shuffle by Colson Whitehead and we discuss how Whitehead shows us how ordinary objects – furniture, buildings, food – can carry the weight of character development, social commentary, and thematic resonance. This teaching breaks down his techniques and offers you a mini masterclass in multi-layered description. Through careful study of his methods, we can learn how every descriptive detail can work simultaneously on physical, social, emotional, and thematic levels.
Example I: Furniture as Character and Commentary
Showing precise technical and business knowledge: “First was up to Radio Row, to unload the final three consoles, two RCA’s and a Magnavox… now padded blankets hid their slick, mahogany cabinets, fastened by leather straps to the truck bed.”
Reflecting changing times and social status: “The gently used section occupied twenty percent of the showroom floor—Carney calculated to the inch – up from ten percent last year… The new goods were top-notch: he was the authorized dealer for Argent and Collins Hathaway, but the secondhand stuff had durable appeal.”
Revealing social hierarchies: “The Burlington Hall company out of Worchester, Massachusetts, have been in the furniture business since the mid 18th century… If Frances Burlington, the founder of the company could see the array of erotic paraphernalia that Miss Laura stored in their 1958 lacquer armoire, with its regal, silhouette and masterful cabinet work, he would’ve been appalled.”
Carney’s professional growth: “Carney grabbed two newspapers from the table behind him. It was his habit to consult the furniture to see what kind of specials the competition was offering this week… All American took out a quarter page ad – not cheap – to announce a sale on their Argent merchandise.”
Example 2: Architecture and Social Geography
Buildings reveal social aspirations: “Despite the company, he liked coming up to his in-laws place on Striver’s row… Strivers grasp for something better – maybe it existed: maybe it didn’t, and crooks schemed about how to manipulate the present system. The world it might be versus the world it was perhaps.”
Layered meaning in architectural description: “The Big Apple diner faced a row of four story brownstones… A single blueprint – funded by speculators, executed by immigrant construction gangs – had summoned this divergent bounty.”
Physical space to emotional experience: “547 Riverside Drive faced the park on a stretch that was quiet more often than not… As with many things in the city – traffic noise below, quarrelsome neighbors above, a dark walk from the corner to your front door – it’s effect was unmeasurable until it was gone.”
Example 3: Food as Social Marker and Character Development
Simple food details reveal complex character traits: “Pepper emerged, wiping blood on his dark blue dungarees. He got in the passenger seat and opened his lunchbox. Inside were an egg sandwich in wax paper, a faded thermos, and a pistol.”
Grounds pivotal moments in lived experience: “It was 9 o’clock,” Freddy said. “I get out of the subway to look for a sandwich and the streets are full of people. Raising their fists, waving signs. Chanting, ‘We want Malcolm X! We want Malcolm X!’ And ‘Killer cops must go.’ Some of them hold pictures of the killer cop like wanted dead or alive. I’m hungry – I don’t want to deal with all that. I’m trying to get me a sandwich.”
A stolen sandwich changes destiny: “…and Munson hated the guy for stealing his lunch out of the icebox one time. Egg salad sandwich he had been looking forward to all day.”
Class divisions revealed through food conversations: “‘What made you want to sell couches?’ Pepper said, poking at his food. ‘I’m an entrepreneur.’ ‘Entrepreneur?’ Pepper said this last part like manure. ‘That’s just like a hustler who pays taxes.'”
Techniques Taking You From Analysis to Practice:Â
It’s one thing to understand how Whitehead makes furniture reveal character or uses architecture to show social hierarchy, but it’s another to actually attempt these techniques yourself. When taking in such mastery, it can seem daunting to “write like Whitehead” but here’s a way to make it approachable: Focus on one technique at a time and then add another, working toward that multi-layered richness that makes his descriptions so powerful.
Build Description Layer by Layer:
- Start with accurate, specific physical description
- Layer in social/historical context
- Connect to character development
- Link to larger themes
Master Descriptive Rhythm:
- Quick, sharp details for pace
- Extended passages for emphasis
- Mixing mundane with profound
- Using description to control narrative tempo
Creating Multi-Level Impact:
- Surface level: Clear, vivid imagery
- Character level: Revealing personality and perspective
- Plot level: Supporting story development
- Thematic level: Contributing to larger ideas
More Specific Writing Exercises
The Furniture Study
- Choose an ordinary object from your story
- Describe it through three lenses:
- Physical details and history (like the Burlington Hall armoire)
- What it reveals about its owner/user
- Its place in society/time period
- Challenge: Include both technical knowledge and social implications
The Architecture Exercise
- Select a building in your setting
- Detail its:
- Physical appearance and evolution
- Social significance in its neighborhood
- Personal meaning to characters
- Role in the larger narrative
- Challenge: Connect physical details to emotional resonance
The Food Scene
- Write a scene centered on eating that includes:
- Sensory details
- Character interaction through food
- Social/historical context
- Thematic significance
- Challenge: Use food to reveal character and advance plot simultaneously
Conclusion
In sum, Whitehead’s mastery lies not just in his ability to describe things vividly, but in making every detail serve multiple narrative purposes. His approach teaches us that effective description isn’t about quantity but about making each detail resonate on multiple levels. See you in class!
