Lit Lesson #29-Pt. 1: A Tale of Two Cities by Charles Dickens: Character/Plot/The Divine Feminine

Creative Writing Workshop on Reading, Character/Plot and the Divine Feminine. Buckle up “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” ~Stephen King On Reading: Again and again, I meet writers in my creative writing teaching program who balk at taking the time to read. Or listen, to a  book. Or, if they do get in there, they sabotage the learning process by judging the work as “boring, confusing, overwhelming,” and putting...

Lit Lesson #28: Literary Representation and the Laws of Gravity

Publishing Advice for Creative Writers Six months Eighty queries Fifteen rejections based on the query (meaning they didn’t read a word of the book) Two rejections based on a full read Three query letter revisions One major meltdown One re-write I finally, finally, FINALLY found an agent for my fifth memoir, The Summer of ‘72. Robert Difirio of D4EO Literary. Bob is an old-school agent with five-plus decades of experience in the business and a corral of intelligent, hard-working writers doing...

IN HOUSE POST: Update on the Summer Birds 2023

“I have only to break into the tightness of a strawberry, and I see summer – its dust and lowering skies.”  ~ Toni Morrison, The Bluest Eye This is our annual update on each other’s summer. Send a photo or two and let us know what you’ve been up to!   SUSAN C/SII       From Susan C in SII and living in CT: In between writing, painting, Library meetings, short trips and volunteering, I work on my 1500-piece never ending jigsaw puzzle of Van Gogh’s Starry...

Lit Lesson #27: An Exact Replica of a Figment of My Imagination By Elizabeth McCracken

When a Memoir is for the Writer and Not the Reader I wrote the book quickly and without—oh dear, I hate to admit this—too much thought. I barely revised. I knew everything about the story before I even started. Novels are agony. Life is agony, but for me writing the memoir was not. ~ E. McCracken Elizabeth McCracken who studied in Iowa, is a fellow of this and a nominee of that, and yes, a remarkably talented wordsmith. See for yourself. She’s also witty and wry in the classic tradition...

Lit Lesson #26: Lonesome Dove by Larry McMurtry

Writing Workshop: The Attack Sentence, Plot, and the Underlying Message of an Epic A love story, an adventure, and an epic of the frontier, Larry McMurtry’s Pulitzer Prize-winning classic, Lonesome Dove, the third book in the Lonesome Dove tetralogy, is the grandest novel ever written about the last defiant wilderness of America. Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly...

Lit Lesson #25: When I Finally Landed in Scene

Studio Writers Share Process “For dramatic impact we must be grounded in place and experience the illusion of real-time passing, which only occurs in scenes. We must live the moment along with the characters, especially in moments of change…While summaries supply the connective tissue, scenes are the blood and breath of fiction, narrative essays, and memoir.” From Showing vs. Telling by Laurie Alberts  It went on for sixteen weeks. This teaching on scene. I was studying with Tom Spanbauer in...

Lit Lesson #24: Hamnet by Maggie O’Farrell & Determinants of Plot

How can a student of creative writing search for and find plot in a book? This excellent novel, one of the best I have enjoyed since Shipping News by Annie Proulx and Prayer for Owen Meany by John Irving, was recommended for study this year by Jean in SIII. Jean is a historical novelist in the thick of research and writing her novel from the time of the revolutionary war, and she has an innate sense of good writing! At first, I was hesitant to read a book titled “A novel of the...

Lit Lesson #23: On Notes of a Native Son

Mastering Authentic Writing: Best Online Courses Essay? Commentary? Creative Non-fiction? Short Story? What is this piece of writing by James Baldwin, and how do we, as creative writers, approach it intelligently and thus learn from it? To get the most from this discussion, I suggest you read first (click here) and give some thought to how Notes of a Native Son hits you. This initial reaction is crucial and deeply personal. Making a few notes about that reaction also allows you to be fully...

Lit Lesson #22: Without A Map by Meredith Hall

Learning from Without a Map by Meredith Hall – Writing Skills Course (From Flight School: 11/27/22) This week, we’re going to look at Without a Map by Meredith Hall, a book thirty-six writers and I studied at the Studio for three weeks this fall. The goal of this post is to share our process and conclusions. To be clear, I’m not saying you should or shouldn’t read this book. I’m not endorsing it, nor am I shooing you away from it. Instead, this is a journey of exploration…a way to think...

Lit Lesson #21: The Writing Workshop: Promise, Perils and Process

Creative Writing Workshops: Online Novel Writing Course ” Art cannot be made by committee. Any such use of a workshop will be counterproductive. Thus the student who is “up” should not be looking for solutions from the other students or from the teacher. The student should be looking for problems in the text that he or she had not been aware of.” ~ Frank Conroy, The Writers Workshop By Jennifer Lauck with commentary from staff When I was new to creative writing and...