🎧 Lit Lesson #40 PII: The Art of Sacred Memory: Mastering Scene and Self-Discovery in Till We Have Faces

“Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, “Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that’s the whole art and joy of words.” A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the centre of your soul for years, which you have, all that time, idiot-like, been saying over and over,...

🎧 Lit Lesson #39: Divine Rebellion & Sacred Truth: The Theological Architecture of Till We Have Faces

“There must, whether the gods see it or not, be something great in the mortal soul. For suffering, it seems, is infinite, and our capacity without limit.” ― C.S. Lewis. Till We Have Faces 🎧 Listen to the Audio Teaching Here  How C.S. Lewis Crafts a Plot Structure as Complex as Faith Itself Till We Have Faces (1956) by C.S. Lewis is a retelling of the classical myth of Cupid and Psyche from the perspective of Psyche’s sister Orual. The book was initially met with mixed reviews by his...

🎥 Lit Lesson #38: The Emperor’s New Prose: A Critical Look at Scene vs. Exposition in Crying in H Mart

“…bad books get published to support good books by authors like me that you don’t know exist, but have something unique to say that publishers want to support. Bad books get published because publishing is a business like anything else, and those bad books make money.” – B.J. Mendelson. Social Media is Bullshit from St. Martin’s Press.  In the complex ecosystem of modern publishing, commercial success and literary craft don’t always align. Marketing...

Lit Lesson #37: Things I Couldn’t Help Notice, Portrait and Victory Lap

The goal is not to keep the TICHN cart empty and thus write a “perfectly normal” story.  A story that approaches its ending with nothing in its TICHN cart is going to have a hard time ending spectacularly. ~ G. Saunders, A Swim in a Pond in the Rain In this Lit Lesson, we expand our teaching about character sketches and profiles/portraits by taking on Victory Lap by George Saunders which shows, brilliantly, three the deeper character creation technique. (NOTE: I’m using the...

Lit Lesson #36: Brush Strokes of Identity: Mastering the Literary Portrait

From Dickens to Orange: The Enduring Power of Verbal Snapshots “To gain your own voice, you have to forget about having it heard.” ~ Allen Ginsberg https://blackbirdstudiopdx.com/wp-content/uploads/2024/10/LL36.mp4 Wandering Stars by Tommy Orange got me thinking a good deal about portraits and character sketches which helps writers develop richer, more nuanced characters in both fiction and creative non-fiction. From Tell it Slant by Brenda Miller and Suzanna Paola: One of the most...

Lit Lesson #35: Voices Un-Silenced: Diverse Perspectives in Literary Tradition & Wandering Stars by Tommy Orange

The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.”  Brandon Sanderson, The Way of Kings In Wandering Stars, by Tommy Orange, one of his characters says: Stories do more than comfort. They take you away and bring you back better made. The big question being asked in this teaching is this:  What happens when you cannot be taken away because you are too confused by the structure? (From Publisher): The eagerly awaited follow-up to Pulitzer...

Lit Lesson #34: From Dickens to Opioids: The Radical Reimagining of David Copperfield

How Barbara Kingsolver’s ‘Demon Copperhead’ Transforms Victorian Social Critique into a Modern Appalachian Tragedy https://blackbirdstudiopdx.com/wp-content/uploads/2024/09/Copperhead-2.mp4 Concentrated Focus on Demon Copperhead Refresher on Dicken’s version: Previous teaching “What Dicken’s Can Teach You”: HERE Characters David Copperfield: The protagonist, who narrates his life story from childhood to adulthood. Clara Copperfield (David’s mother): A...

Lit Lesson #33: Rewriting the Classics-The Art and Controversy of Literary Reimaginings

From Demon Copperhead to Bridget Jones: How Modern Authors Breathe New Life into Timeless Tales “Nothing is new under the sun. Even the thing of which we say, “See, this is new!” has already existed in the ages that proceeded us.” (From Vanities of vanities/Ecclesiastes 1. “All is weariness”) https://blackbirdstudiopdx.com/wp-content/uploads/2024/09/Copperhead-1-2024.mp4 Introduction – Define Literary reimagining also known as retellings or adaptations, refer to works of literature...

Lit Lesson #32: Editing, Copy Editing, Formatting Oh My

Too often they [teachers] don’t give a systematic view of a writer’s work, and train him to develop a thick skin instead of a sensible one. ~ The Artful Edit by Susan Bell by Cevia Yellin, our in-house editorial expert It’s my delight and pleasure to introduce Cevia Yellin, a long-time student in SIV working on a novel based on the restaurant her parents owned for ten years of her childhood. As luck would have it, Cevia is also a professional freelance writer and editor and has...

Lit Lesson #30-Pt. 2: A Tale of Two Cities by Charles Dickens and Consecution

Creative Writing Workshop: Consecution is a fancy way of saying “sequencing” “Consecution” (is a) re-describing (of) the compositional process, how the repetition of words and sequences of events progress toward a naturally developed story with a coherent plot structure…(which is not)…different from the advice of the classicists — …good writing is, after all, good writing. Lish’s genius is in making it strange that we might see it better. ~ From The Consecution of Gordon Lish by...